Business
What sort of Company Are we?
Psycho Bunny Studios is an independent publishing company, which is
looking toward helping artistic youths and adults find their way into
the publishing world based on skill and not whom they know or how much
the company can make off of them.
Psycho Bunny Studios started originally back in 2000 as a project
between a few friends to publish our works under an anthology called
“Wakarimasen” (Japanese for “I don’t understand/ I don’t know/
understanding has not taken place”) As the years passed this circle
grew smaller as life came in and sucked artists and writers away,
causing those who stayed to re-evaluate everything they did. In 2003
the Studio’s name was coined for a project and the anthologies title
was changed to “Unoriginal” as they decided they did not want to
restrict their audience or creators to the Manga style.
In 2004 Unoriginal
1 was released.
In 2006 Unoriginal 1.5, essentially a remake of Unoriginal 1 was
released.
-While we do have two Anthologies out by no means
do we know completely what we are doing, so all help is
appreciated. However we do warn you there will be times when we
will not coddle
you, as much as we appreciate you, we're probably talking out our ass
half the time. Our word is not law, we want to be approachable so don't
feel the urge to stay formal we are going to try to be professional but
not to the extend we talk in business riddles.
About
the Industry
Some things you should
know:
The Print industry in general has been suffering for the past few years
from a shrinking market due to competition from other venues such as
the internet and TV in general.
Web comics, scan sites, fan-fiction/fan-art circles have been slowly
making the market a much harder one to get into since it began to
expand for the independent publisher in the early 90’s. (So ever since
the market opened to the independent publisher, it’s been getting shut
down by everything from bigger studios to the internet)
What does this mean?
Large prints are what a company needs to keep prices down, and keeping
prices down are what keep profits up, however large prints are becoming
harder as people are becoming less willing to buy comics since they can
get much of what they want for free.
What does THAT mean?
It means everything we are doing right now up until we can get a high
enough print is Voluntary. The work I do (and it’s a lot of work) I do
not get paid for, and it is my money going into the printing of this
comic (and it’s a lot of money too)
Because of this on one hand we may be a little picky, but we’ll also be
asking for a lot of lenience and dedication from you when we shuffle
around deadlines and have breakdowns which cause the whole studio to
grind to a halt or when we realize we have a print window of only a
month and need everyone to send in their work within a week or two.
How Much Money do we need? What will we use it for?
What will Investors get out of it?
Currently we are looking at a projected start up fund of $10,000 (CAN)
from this we will be able to print the work of 4 artists in their own
comic as well as continue to release Unoriginal, our current project
aimed at giving people a preview of what we have (Much like the Shounen
Jump books by Viz which are later released into their own comics)
The $10,000 (CAN) will be split between the 5 projects, each project
gaining around $2,000.
We are working on making stocks so investors will have something to
show for their money. However making stocks involves registering as a
corporate company, which means getting a lawyer which means less money
for the comic. While I will hopefully use personal money for this (Or
become the first investor and loan the company the money) currently
we're going to be running on non donations)
What will the artists get? What are they expected to do for it?
The independent artist’s will receive $150 for a 24-page comic and 1
title page in color (Averaging to 6$
a page) and will receive 50% of
all profits after printing costs. (Generous
in comparison to
competitions 500$ for 24 page comic but only 7% profit share.)
The
remaining $1,850 will go into printing the comic. (Aprox. 200 units
depending on printing company) Independent artists however will
only be
used for printing their own comics, Not with the anthology. Because of
this the competition for this position will be tough, not only will you
have to completely impress our group of Editors (some of which don't
even like comics so you'll have to be really fancy) You will
have to
prove to us you have a fanbase.
The Artist under the Unoriginal Title will receive a percentage of
profit based on the amount of pages contributed to the Anthology (100
pages they did 40 = 40% profit after print cost) all $2,000 will
be
placed into the comic. Since some of the artists within Unoriginal
we'll be taking a risk on some of the print money will be going into
promoting the comic, so buying ad space on other websites. However we
request that if you comic is in Unoriginal you of course tell a many
people as you can and post it everywhere. Because especially for you,
the more that sell the more money you make.
What are we looking for?
Editors, artists, writers, business partners, layout editors,
programmers, you name it we want you. We need more bodies for a
lot of different jobs, the more people the
better because on one hand that means if one person cannot keep up or
has to go on hiatus, someone can replace them. You need to have the
time and the dedication.
General Submission:
E-mail to submissions at psychobunnystudios.com
put in the subject line Psycho Bunny Application: (What your applying for)
In the body we want:
Your Name: (What name you would like to be called if
you get printed/credit for something)
Your Age: (Tell the truth, if you are
under 18 then we won’t be able to
print your work without parental consent however we can give you credit
for editing work done)
Your Abilities: (What can you do for
us? Webpage work? Forum Admin? Editing? Artwork? Motivational skills?)
Consent: I (your name) hereby
give Psycho Bunny Studios non exclusive
rights to print, publish, modify and transmit all work I submit
specifically to their Studio for these reasons. I retain all rights to
my work and the right to give my work to any other publisher. I realize
that all work previously submitted to Psycho Bunny Studio can be
re-printed in its original format only, by Psycho Bunny Studios and can
be printed in no other format but the original printed version without
my permission.
Artist Submission:
Please have a link to 3-5 PAGES of rendered (penciled, inked) black
and white SEQUENTIAL art (comic style)
and 1-2 full-page colour cover
art examples with your submission.
If you wish to submit your own original series, we suggest you start
with a 10-20 page one-shot or a 3-4 issue mini-series. Starting with a
one-shot or mini-series will enable us to gauge the response of
retailer and fan response without dedicating a large amount of time and
resources to a book that may be canceled due to poor sales. If you
already have material prepared then send us a synopsis of the story and
some sample pages of the art. These sample pages can range from 4-5
pages to the entire mini-series if you have it.
Realize that if we do get popular enough
you will be expected to keep
up with a monthly printing demand of 10-20 pages, if you do not think
you can keep up save submission until you are a month or two ahead and
then submit, Currently however we are running on a 70 + 1 demand (once
we sell 70 books, we have one month to get the next issue out)
this can
give you anywhere between one month to a year to complete your next
submission so be aware of the lack or over abundance of time you may
have.
Writers Submission
We will take short stories as well and print them as they are. We will
NOT take any poetry.
A LINK to a 1-4 page typed STORY SYNOPSIS
or a SAMPLE of a story.
Unfortunately, we don't have the time or manpower to read every full
script we receive. If we like your idea, we'll request more.
A typed cover sheet of the overview of
your story-example: How many
issues the story will be and how many pages per issues. 1-4 issue
mini-series are preferred over ongoing series. Stories that are finite
encourage the retailer to give your new story a chance, and, even if
sales are low, we, the publishers, will be more likely to finish the
mini-series' run for the sake of completeness. Ongoing, unproven series
that get low sales are more likely to be cancelled because of the
monthly financial loss.